BURN THE WITCH: HOW SALEM AND WITCH HOUSE SHAPED THE SOUND OF A DECADE
In the beginning were Daniel Lopatin and James Ferraro, the old and broken radio of the New Weird America in the late 00s, shaped…
SOUL FEEDING – BEST OF OCTOBER – Eartheater, Oneohtrix Point Never, SALEM, Autechre…
The best albums of the month according to our community.
Duma – Duma Review
Nyege Nyege Tapes already widely testified the prosperity and the high innovative potential of East African club scene. Since 2016, the collective based in…
Nazar – Guerrilla Review
Back in 2018, with Enclave EP, Hyperdub unearthed one of its most intersting artists. Nazar is a 26-years-old Angolan producer based in Manchester, who…
Obsequies – Carcass Review
Less than three years after their first Organn EP, Belgian producer Obsequies debuts on Breakwave’s recently launched label Meine Nacht with Carcass. Six tracks…
Sega Bodega – Salvador Review
On Valentine’s Day, Sega Bodega released his first album. If the last EP, self*care, was heterogeneus as “the portrait of an artist in flux”,…
ZULI – Swag Lee Is Dead Review
On the 3rd of February egyptian producer ZULI wrote on social media: “Just found a bunch of poorly mixed demos for this Egyptian Trap…
DJ Lostboi & Torus – The Flash Review
After a year of silence, the Amsterdam – based label Queeste is back with a split album, where DJ Lostboi and Torus extend the…
KhalilH2OP – Seid Review
Since the golden age of Timbaland, Missy Elliott and Aaliyah, a lot of the R&B imaginary has been alien and futuristic. You can’t just…
Laughing Ears – Metamorphosis 形变
The prolific year of the Shangai-based artist Laughing Ears continues with her CHINABOT debut EP Metamorphosis 形变. These six tracks are far less explicit…