Author: Giovanni De Scisciolo

BURN THE WITCH: HOW SALEM AND WITCH HOUSE SHAPED THE SOUND OF A DECADE

In the beginning were Daniel Lopatin and James Ferraro, the old and broken radio of the New Weird America in the late 00s, shaped to...

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Duma – Duma Review

Nyege Nyege Tapes already widely testified the prosperity and the high innovative potential of East African club scene. Since 2016, the...

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Nazar – Guerrilla Review

Back in 2018, with Enclave EP, Hyperdub unearthed one of its most intersting artists. Nazar is a 26-years-old Angolan producer based in...

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Obsequies – Carcass Review

Less than three years after their first Organn EP, Belgian producer Obsequies debuts on Breakwave’s recently launched label Meine...

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Sega Bodega – Salvador Review

On Valentine’s Day, Sega Bodega released his first album. If the last EP, self*care, was heterogeneus as “the portrait of an...

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ZULI – Swag Lee Is Dead Review

On the 3rd of February egyptian producer ZULI wrote on social media: “Just found a bunch of poorly mixed demos for this Egyptian Trap...

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DJ Lostboi & Torus – The Flash Review

After a year of silence, the Amsterdam – based label Queeste is back with a split album, where DJ Lostboi and Torus extend the...

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KhalilH2OP – Seid Review

Since the golden age of Timbaland, Missy Elliott and Aaliyah, a lot of the R&B imaginary has been alien and futuristic. You can’t...

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Laughing Ears – Metamorphosis 形变

The prolific year of the Shangai-based artist Laughing Ears continues with her CHINABOT debut EP Metamorphosis 形变. These six tracks are...

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